Chicano Cultural Identification in Rudolfo Aanya’s Zia Summer From the Perspective of Magical Realism

Hui LIU, Ping YAN

Abstract


Zia Summer was published by the Mexican-American writer Rudolfo Alfronso Anaya in 1995, which presents the theme of cultural identification and survival of Chicano people through the detective Sonny Baca’s quest to discover the murderer of his cousin Gloria Dominic. As he investigates deeper into this mystery, Sonny begins to ask questions about the religious cult that is behind Gloria’s death, and its shadowy leader, a man known as Raven, whose charisma attracts a variety of followers, who see him as a restorer of order to a world of economic disparity, violence, and ecological devastation. From the perspective of magical realism, this paper reflects the Chicano cultural identification through the interpretation of the three main characters: Gloria, Raven and Sonny Baca, who are the innocent victim, the fanatic defender and the explorer of the Chicano traditions, respectively.

 


Keywords


Rudolfo Anaya; Zia Summer; Magical realism; Chicano cultural identification

Full Text:

PDF

References


Ashcroft, B. (2015). Critical histories: Postcolonialism, postmodernism, and race. Cambridge, England: Cambridge University Press.

Anaya, R. (1995). Zia summer. New York: Warner.

Caloca, E. (2015). The latina narrative: Constructing a new identity through magical feminism. California State University.

Lee, D. A. (1982). Realismo Mágico: True realism with a pinch of magic. The South Central Bulletin, 129-130.

Flys-Junquera, C. (2003). Misrepresenting the Hard-Boiled Tradition: Community vs. Individualism in Contemporary Ethnic Detectives. In F. Galvan, J. Canero, Serrano, and J. S. F. Vazquez (Eds.), (Mis) Representations: Intersections of culture and power (pp.183-199). Bern: Peter Lang.

Hancock, G. (Ed.) (1980). Magic realism. Toronto, Canada: Aya Press.

Johnson, K. L. (2003). Julia Alvarez: Writing a new place on the map. Northern Illinois University.

Turner, R. (2013). A moment of magic: Coyote, tricksterism, and the role of the shaman in Rudolfo Anaya’s Sonny Baca novels. University of New Mexico.




DOI: http://dx.doi.org/10.3968/12608

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Author(s)

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard

Please send your manuscripts to sll@cscanada.net,or  sll@cscanada.org  for consideration. We look forward to receiving your work.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; sll@cscanada.net; sll@cscanada.org

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mailoffice@cscanada.net; office@cscanada.org; caooc@hotmail.com

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture