On “Revival of National Music”: An Analysis of Youmei Xiao’s Musical Thought
Abstract
The thesis takes the musical thought of the May Fourth period as a clue, combs through some of the articles published by Youmei Xiao in the May Fourth period, and through comparative analysis, summarizes Youmei Xiao’s musical thought and his knowledge of the road of the development of Chinese music at that time and the prospect of the development of Chinese music, and Youmei Xiao’s propositions are of great significance to the development of Chinese music at that time.
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Xiao, Y. M. (1920). The method of musicological research. Music Magazine (Peking University Music Research Society), (4).
Xiao, Y. M. (1920). What is music? Music education organs in foreign countries. What is musicology? Reasons for the underdevelopment of music education in China. Journal of Music (Peking University Music Research Society), (3).
Xiao, Y. M. (1931). My Opinion on the Proposed Imitation of Old Musical Instruments by the Daito Music Society. Yueyi, (4).
Xiao, Y. M. (1934). The Remarkable Facts of the Development of Western Music in the Last One Thousand Years and the Reasons for the Deterioration of Old Music in China. Music Magazine, (3).
Xiao, Y. M. (1935). On the new music movement in China. Music Monthly, (4).
Zhang, J. W. (2004). Searching for History - Selected Essays on Modern Chinese Music. Shanghai: Shanghai Music Press.
DOI: http://dx.doi.org/10.3968/13345
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