The Expression of Imagery in Sculptural Art

Ying LI

Abstract


Imagery sculpture, as a unique form of expression in sculpture art, emphasizes the integration of subjective emotions and objective objects. Through the artist’s creative selection and re-interpretation, it presents images imbued with spiritual meaning. The creation process of imagery sculpture involves the artist extracting sensory impressions from life and subjectively processing them, with the aim of conveying inner thoughts and emotions through visual forms. In this process, sculptors not only retain the characteristics of the objective objects but also, through the process of “selection” and “elimination,” enhance the expressiveness of the form, in order to create works that possess unique rhythm and artistic appeal.
The core feature of imagery sculpture lies in the subjective selection and strengthening of the object. Artists simplify, abstract, and symbolize the form, making the work not just a reproduction of the external world but a reflection of their inner emotions and philosophy. Sculpture works often exhibit a strong sense of rhythm and harmony, creating a pleasing spatial atmosphere that encourages viewers to experience a deeper emotional resonance behind the imagery. This emotional transmission makes imagery sculpture not only a visual art but also a medium for emotional communication.
This paper analyzes several classic imagery sculptures to explore the creative methods and forms of expression in imagery sculpture, clarifying its unique role in the field of artistic creation. Through imagery, sculptors express both a deep understanding of reality and transcend it, creating artistic images rich with symbolic meaning. These works lead viewers into an artistic realm filled with emotion and thought. Imagery sculpture serves as both a carrier for the artist’s emotional expression and a vital bridge for communication between the artist and the audience’s hearts and minds.


Keywords


Imagery Sculpture; Emotional Expression; Subjective Creation; Object Selection; Artistic Realm

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References


Kandinsky, W. (2015). The Spiritual in Art (Z. Li, Trans.). Beijing: China Renmin University Press.

Reed, H. (2015). A Short History of Modern Sculpture. Guangxi: Guangxi Arts Publishing House Co.Ltd..

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Xu, J. G. (2003). Spirit and Emotion. Beijing: Commercial Press.

Xu, Z. L. (2007). Sculpture Construction. Beijing: Tsinghua University Press.

Xu, Z. L. (2011). Introduction to Sculpture. Beijing: Tsinghua University Press.




DOI: http://dx.doi.org/10.3968/13600

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