The Re-Genesis of Dionysian Revelry: Where Art Is the Ecstatic Effulgence of the Body’s Mystical Quintessence

Ron Shane, Nicki Kimura, Nicki Kimura, Alva Liang, Alva Liang, Justin Tang, Justin Tang

Abstract


Norman O. Brown cites the following as a function of his separation from the invidious manacles of neurological ratiocination: “And to be not conformed to this world…but be transformed [metamorphose yourselves] by a renewing of your mind” (Brown, 1991). Shane 2015 writes that ecstatic liberation is engendered when the mind is extricated from the central nervous system’s tyranny (Shane, n.d.). Hamlet remarks “with thoughts beyond the reaches of the souls” (Shakespeare, 1982).
Patricia Easterling states that Dionysian theater was a freedom from the immurement of self-consciousness or an artistry of the mystical mystique (Eastering, 1997). Dionysian theater, tantric ritualism, ecstatic shamanistic rites, and atavistic rapturous ceremonialism have been executed in most pre-modern societies (Shane, 2014). Norman O. Brown explicates this ubiquitous meta-phenomena in his work entitled Love’s Body (Brown, 1971). Social evolution or the pathogenesis of the modern phenotype depicts the desecration of the etheric body’s predilection towards ascendant apotheosis or Dionysian ritualism (Shane, 2012). Plato’s The Ion represents how the paramount powers of diminutive ratiocination denigrate the numinous body’s puissance towards Dionysian exhilaration (Adams, 1971). The mind delimiting manacles of peevish abstraction abnegates the numinous body’s proclivity for mystical revelry. Aristotle’s poetics represents this fragrant dismissal and annihilation of the body’s primordial exaltation (Adams, 1971, pp.48-67).


Keywords


Dionysian revelry; Metaphysics; Mysticism; Mind-body studies; Karl Jung

Full Text:

PDF

References


Adams, H. (1971). Critical theory since plato, plato’s the ion, HBJ (pp.12-19). New York.

Adams, H. (1971). Aristotle’s poetics (pp.48-67). New York.

Brown,N. O. (1991). Apocalypse and or metamorphosis (p.1). University of California, Berkeley.

Brown, N. O. (1971). Love’s body. Random House, New York.

Campbell, J. (1974). The mythic image. Princeton University.

Eastering, P. E. (1997). Cambridge companion to Greek tragedy, a show for dionysus (pp.36-53). Cambridge University Press. London.

Hopkins, J., & Sugarman, D. (1980). No one here gets out alive. New York: Warner Press.

Nietzsche, F. (1968). The basic writings of Friederich Nietzche, the birth of tragedy. Modern Library, New York.

Shakespeare, W. (1982). Hamlet, methuen (p.213). London.

Shakespeare, W. (1952). A midsummer night’s dream, complete works (p.536). Harcourt, Brace, World Inc.

Shakespeare, W. (1952). Blake milton (p.98). Harcourt, Brace, World Inc.

Shane, R. (n.d.). The body’s confluence with the numinous essence. Publication Pending.

Shane, R. (2014). Light on Shamanism, elysium arts. San Diego, Amazon.com.

Shane, R. (2012). Mystique of energy, elysium arts. San Diego, Amazon.com.

Shane, R. (2012). The etheric power of the mental eye, elysian arts. San Diego, Amazon.com.

Shane, R. (2015). Jaguar Queen, elysian arts. San Diego, Amazon.com.

Shane, R. (2007). The art of energy, elysium arts. San Diego, Amazon.com.

Shane, R. (2015). Refutation of the big bang theory. Publication Pending.

Shane, R. (2015). Jaguar Queen. Publication Pending.




DOI: http://dx.doi.org/10.3968/7848

Refbacks

  • There are currently no refbacks.


Copyright (c) 2016 Studies in Literature and Language




Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard


Reminder

How to do online submission to another Journal?

If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; sll@cscanada.net; sll@cscanada.org

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mailoffice@cscanada.net; office@cscanada.org; caooc@hotmail.com

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture