Studies in Literature and Language
From Oral Epic to Novel, Stage Play to Film and Teleplay: A Study on the Cross-Media Narrative Effects of the Tibetan Heroic Epic Gesar
Abstract
The Tibetan epic Gesar is a shining pearl in Tibetan culture. From oral epic to novel, stage play to film and teleplay, its unique cross-media narrative effects make this ancient cultural heritage in the modern society full of new vitality. This article analyzes Gesar from the perspective of cross-media narration, and concludes the effects of different text narration on charm and limitation, innovation and development, complementarity and fusion, and cultural significance. Gesar’s cross-media narrative mode shows its unique charm and depth. Through the clever combination of text, image and audio and other media, Gesar’s heroic image and the essence of Tibetan culture are successfully transmitted to the vast audience. This narrative mode not only enriched the expression of the story, but also made Gesar’s wisdom, bravery and kindness fully displayed and deeply rooted in the people’s hearts.
Keywords
Full Text:
PDFReferences
Abbott, H. P. (2008). The Cambridge introduction to narrative. Cambridge: Cambridge University Press.
Bal, M. (1985). Introduction to the theory of narrative. Toronto: University of Toronto Press.
Cui, H. Y., & Zhao, H. J. (2021). Research on the translation of Gesar in China: Current situation and prospects. Journal of Xizang Minzu University (Philosophy and Social Sciences Edition), 42(01), 137-143.
Gesar Library Compilation Committee. (2018). Gesar. Shanghai: Shanghai Ancient Books Publishing House.
Gong, B. (1992). A study of Tibetan literary style in the early 18th century from Xuan Nu Damei and Zheng Wandava. Journal of Qinghai Institute for Nationalities, (02), 85-90.
Mikles, N. I. (2020). When is a hat a mountain? The material religion of Gesar bards’ hats. Material Religion, 3(16), 187-212.
Qimei, Z. G. (2022). Cultural authenticity within adaptation: Two Gesar themed children’s books. Children’s Literature in Education, 12(53), 411-424.
Qing, Y. (2021). On the core scope and self-consistency of media art and literature. Literature & Art Studies, 1(06), 158-170.
Scolari, C. A. (2013). Lostology: Transmedia storytelling and expansion/compression strategies. Semiotica, 7(195), 45-68.
Thurston, T. (2019). The Tibetan Gesar epic beyond its bards: An ecosystem of genres on the roof of the world. Journal of American Folklore, (132), 115-136.
Wang, J. T. (2011). Discussion on the prototypes of the “Geisel Stories” of West Yugur Nationality in China. In International Conference on Information Technology and Industrial Engineering (ITIE 2011) (pp. 377-380).
Xu, M. H. (2023). Sky rope and magic ladder: An escape narrative interpretation of Gesar’s epic. China Intangible Cultural Heritage, (03), 33-39.
Yu, Y. (2021). Epic narrative and sound and picture symphonic-The visual presentation of large-scale scene epic The Great Journey and the implication of The Times. Art Criticism, (08), 7-16.
Zhonghong, C. (2016). Collections of Tibetan myths and legends. Lhasa: Tibet People’s Publishing House.
Zhu, J., & Guo, W. H. (2021). On the path of the cross-media communication of epic Jangar. Journal of Northwest Minzu University, (01), 172-181.
DOI: http://dx.doi.org/10.3968/13352
Refbacks
- There are currently no refbacks.
Copyright (c) 2024 Studies in Literature and Language
This work is licensed under a Creative Commons Attribution 4.0 International License.
Share us to: 
Online Submission: http://cscanada.org/index.php/sll/submission/wizard
Reminder
How to do online submission to another Journal?
If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
1. Register yourself in Journal B as an Author
Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.
2. Submission
Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; sll@cscanada.net; sll@cscanada.org
Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).
STUDIES IN LITERATURE AND LANGUAGE Editorial Office
Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail: office@cscanada.net; office@cscanada.org; caooc@hotmail.com
Copyright © 2010 Canadian Academy of Oriental and Occidental Culture 
