A Brief Introduction to Chinese Mascot

Yuanqin PENG

Abstract


Chinese mascot as the embodiment of auspicious concept is one of the important components of the folk culture and also a mirror reflecting the spirit of the Chinese nation’s character and the pursuit of happy life. In China, mascots are both culture symbols and cultural objects. Coming into being in the specific context of Chinese society, they are the products of multiple political, economic and cultural forces. Chinese mascot has been developing along with its long history. Chinese traditional mascot embodies profound national ideas and it is outstanding cultural heritage with a glorious history, while the Chinese modern mascot follows the tradition and at the same time links with the modern trend of international design. So there exist cultural differences between the traditional and modern mascots in plastic art, form component, cultural psychology and social function and so on.

Key words: Auspicious concept; Chinese mascot; Cultural differences


Keywords


Auspicious concept; Chinese mascot; Cultural differences

References


n.d. (2005). The Official Mascots of the Beijing 2008 Olympic Games. Retrieved 02/08/2010 from http://en.beijing2008.cn/80/05/article211990580.shtml.

GAO, Yuan (2008). The Animal Totem and Cultural Connotation of Plastic Arts in Ancient Times. Inner Mongolia: Inner Mongolia Normal University.

HE, Xingling (2006). The Totem Worship of China’s Minorities. Beijing: China Intercontinenal Press.

Johnson (2008). Haibao, World Expo 2010 Shanghai China Mascot. 2010 A Guide to China. Retrieved from http://content.aguidetochina.com/business/general/72-haibao-world-expo-2010-shanghai-china-mascot.html (accessed 02/14/2010).

LIN, Yigang (2005). A Study on Chinese Worship of Lion. Hunan: Xiang Tan University.

LI, Runying & CHEN, Huanliang (2006). The Classic Book of Mountains and Rivers. Hunan: Yuelu Press.

Nutt, A. (2008). History of Mascots. Retrieved from http://ezinearticles.com/?History--of--Mascots&id=999899 (accessed 03/10/2010).

QIAO, Da (2008). Illustrated Handbook of Chinese Mascots. Beijing: China Social Sciences Press.

SUN, Jianjun, (2001). Auspicious Birds and Beasts. Tianjin: People’s Publishing House.

Webster, M. (1986). Webster’s Third New International Dictionary. Beijing: World Publishing Corporation. 1988.

XIE, Qiongmei (2007). A Research of Chinese Traditional Fish-pattern. Hunan: Hunan Normal University.

XING, Jianghao (2008). A Study on the Auspicious Tiger and Its Application. Kunming: Kunming University of Science and Technology.

ZHONG, Jingui (2005). A Brief Study on the Chinese Worship of Phoenix. Hunan: Xiang Tan University.




DOI: http://dx.doi.org/10.3968/j.css.1923669720120806.7696

Refbacks

  • There are currently no refbacks.


Copyright (c)



Reminder

  • How to do online submission to another Journal?
  • If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

  • Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Online Submissionhttp://cscanada.org/index.php/css/submission/wizard

  • Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
  • We only use four mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; office@cscanada.net; ccc@cscanada.net; ccc@cscanada.org

 Articles published in Canadian Social Science are licensed under Creative Commons Attribution 4.0 (CC-BY).

 

Canadian Social Science Editorial Office

Address: 1020 Bouvier Street, Suite 400, Quebec City, Quebec, G2K 0K9, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mail:caooc@hotmail.com; office@cscanada.net

Copyright © Canadian Academy of Oriental and Occidental Culture